This is clearly a significant difference but what does this have to do with needle skipping.
Full dynamic rang vinyl.
Similar to many labels since the mid late 90 s earache began releasing remasters that had compressed dynamics compared with the original releases.
As many of us know in a fair amount of digital masters the dynamic range is typically limited.
16 bit cd digital audio has a technical dynamic range of 96 db though many argue the perceived range is higher when taking dithering into account.
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Pcm of any flavor has a flat response to fs.
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Vinyl records typically yield 55 65 db.
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Earache s idea of full dynamic range vinyl reissues is to counteract the loudness war and ensure that fans hear the music as it was intended to sound pure and organic audio pressed straight to 180 gram vinyl from the original studio analogue or dat tapes many of which were stored for 20 years.
When i cut a master for vinyl and a cd master from the same digital master tape they sounded pretty much the same except for the noise floor.
These releases on the other hand deliver music at its optimum sound level dynamically leaving the listener to decide on the playback level.
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Yes vinyl was noisier.
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Fdr vinyl our full dynamic range releases were made in response to the so called loudness wars with the dynamic range of music being restricted more and more in an effort to make it sound louder.
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A vinyl record on the other hand only has about 55db to 65db of dynamic range.
With the above in mind i began exploring why some vinyl records have greater dynamic range rightly concluding that mastering lay at the heart of the issue.
Vinyl s dynamic range is dependant on frequency because vinyl doesn t have a flat maximum output curve.
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Consumer analog cassette tapes have a dynamic range of 60 to 70 db.
The dynamic range of a direct cut vinyl record may surpass 70 db.
Full dynamic range edition bolt thrower.
Earache records are a seminal uk independent metal label who have recently started putting out a series of full dynamic range reissues.
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